[Download Now] Stewart & Alina Carroll – Drone Cinematography Masterclass
[Download Now] Stewart & Alina Carroll – Drone Cinematography Masterclass
[Download Now] Stewart & Alina Carroll – Drone Cinematography Masterclass
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[Download Now] Stewart & Alina Carroll – Drone Cinematography Masterclass
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Salepage: Stewart & Alina Carroll – Drone Cinematography Masterclass
7 Hour Drone Cinema Masterclass PLUS Bonus 1 Hour Editing Workshop
Learn to THINK, FLY, FILM and EDIT like a professional aerial filmmaker.
Do you want to make money flying your drone?
Until a few years ago, drones were the preserve of Hollywood, but now they can produce amazing footage. We must seize that opportunity with both hands, filmmakers and drone pilots, because shots we couldn’t have imagined are now accessible to all of us. Audiences have become more aware of the difference between aerial cinematography and just a drone shot, as cinema, TV, and social media flood our senses with aerial imagery. Building on our years of experience going back long before drones appeared on the scene. 8 Excellent hour. We give you something. 5 step framework for aerial cinematography. . We call upon our years of experience as drone cinematographers to teach you how to pilot and make a film. There are years and years. They have experience as filmmakers. The aerial film studies section of the course contains hundreds of examples of our work from all over the world. Dozens of them. There are examples of Hollywood. identify the strategies you can use to emulate cinema-grade work with your drone and relate the incredible work they produce to our own. As the owners of a commercial production company ourselves, we have created a course that is both informative and beautiful.
There are Screenshots from The Masterclass.
If you want to make money with your drone, you need to know this stuff. You have taken the first step and are a drone owner, welcome to the club! If you want to stand out, you need to be more. You need a degree of pilot skill in order to get everything we teach in this section. We will take you from owner to pilot. You need more than that. See the world in a different way. . 99% of drone owners don’t make it past the pilot stage. We will teach you everything you need to know about drones and cinematography. We teach you to think like a film maker. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it By the end of this course, you will be able to stand on your own two feet as a cinematographer. A painting by numbers approach to filmmaking doesn’t cut it because every drone shoot is different. At the end of the course, we give you a shot list to practice on. If you want to be noticed in the crowd, you need to combine it with an understanding of filmmaking principles.
Learning from great Hollywood aerial cinematography is one of our favorite parts of the course.
We teach you how to tell a story. USPENSE It’s in your work. You will learn how to layer your compositions. There is a deity. Drawing your audience’s eye through the frame is interest to your imagery. We show you how to add something. There was a motion. To enhance the story you are telling rather than just adding it because you can. We teach you everything you need to know. There is a light. What you are trying to achieve on the day is influenced by that. We analyse. There is a position for it. Basic principles can be used to enhance the story you are telling.
Whether you are filming for your own self-initiated projects, as a drone operator, as part of a production company, or for any other reason, we can help. There is a need. If you want to rise to the top of the group of drone pilots, you need to know this.
Do I need to spend a lot of money to benefit from this course?
Absolutely not! We are not interested in drones. It is true! We use the drones to get a perspective in the sky that was previously not available to us. We don’t have to worry about gear obsession because we are not gear freaks. Some of the best shots we have ever captured were done on the Phantom 2 combo and many of them feature in this lesson. The majority of our footage comes from our old Phantom 4 and there is also some footage from the Mavic Air. If you own a drone that gives you a decent quality picture from a camera, this course is 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110
Huge amounts of stunning drone footage from around the world are featured in the masterclass.
You see, with our background as filmmakers long before drones appeared, there is ALWAYS a ‘better’ camera out there. We shoot most of our commercial and wedding work on cameras that cost around $1,500. Oh, but if only we had the latest camera with amazing low light capability that costs $5,000! Absolutely not! Sure, our cameras are not the best in low light, so what did we do? Well we bought three, $100 lights and learnt everything we could about lighting. We learnt to shape an image with light, create separation between the subject and the back ground, tell a story and so on. By NOT buying the $5,000 camera we elevated our film production skills to a whole new level and on the back of this we built one of the most successful wedding film businesses in the UK, White Balloon Films .
Don’t get caught up in the latest and greatest drones. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it The vast majority of aerial cinematography to come out of Hollywood is very simple. The beauty of the shot comes from the suspense created by not revealing the subject in the first frame, the creative decision to point the camera towards or away from the sun, and the depth created by having layers. We want you to be able to present yourself as a drone cinematographer, so we teach you all of this.
There are pictures from the class.
Why do I have to pay for a course if drones fly themselves?
Does the drone do any of these things for you, even though it flies itself in the loosest possible sense?
- Analyse the light to pick the best direction of flight or time of day for flying.
- Identify unwanted objects in the shot and position itself accordingly to exclude them from the frame.
- Tell you what the most cinematic composition is for the subject you are trying to film.
- Identify amazing locations for your drone shoots before you even leave the house.
- Build your scene by identifying ways of creating depth in your composition.
- Pick the appropriate camera motion that turns a basic shot into a story-telling masterpiece.
- Employ the story-telling device of creating suspense to engage your audience and wow your clients.
In this seminar. All of the above becomes instinctive and second-nature with the help of the building blocks and framework we give you. . If you are doing non-drone film work, you will find our course of great value, as much of what we discuss is not drone-specific, but an analysis of filmmaking concepts that date back to the early days of cinema.
Tell me about the workshop.
We want you to have the ability to present your work in an engaging and creative way in the form of a drone showreel, because we want you to have the ability to create stunning aerial footage following the masterclass. In this. There is a bonus 1 hour editing workshop. When starting out, we wish we knew about three editing concepts. Key-wording. , (2) Favoriting. , and (3) There are shortcut things. . Your journey to becoming a great editor will shorten significantly if you embrace these concepts. We will take you through. 5 editing techniques. It’s particularly applicable to drone footage.
- Speeding up footage
- Using speed ramps
- Key-framing
- Reversing footage
- Zooming and repositioning
Along the way, we have provided you with some assistance. You can download a pack of our clips. . You can work with us as we make a 60 second showreel from these clips. You will be able to apply what you have learned to your own showreel at the end of the workshop.
There is a BONUS 1 hour editing workshop.
Is it possible to get all this info for free on the internet?
Nope! We are not aware of anything that resembles our masterclass on YouTube. In fact, the closest you will find is our own YouTube channel, Drone Film Guide . The reason for this is that any drone “expert” we see on the internet is generally speaking a drone fanatic first, filmmaker distant second. The internet is saturated with drone reviews, best picture settings videos, drone comparisons videos and all that good stuff, often presented by individuals who are very good on the technical side of drones but fall short when it comes to what you should actually do with your drone once you’ve got it.
The opposite is true for both of us. We love making films and getting the most out of our drones, but we have less interest in the technical side of drones, how to get the highest quality cinematic picture, and how to control the drones best for cinematic movement. It is this fresh approach to the world of drones that explains the success of our YouTube channel. A course of value that we believe is worth paying for is supported by years of experience as drone operators and filmmakers, and this gives us the credibility and confidence to create a course of value that we believe is worth paying for. We hold nothing back. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it We firmly believe the relatively small investment we ask of you will pay for itself many times over as you continue on your journey as a drone cinematographer, because we have put our heart and soul in to this course. We offer a 30 day money back guarantee if you feel our class was not worth the investment.
The curriculum for the course.
The introduction to the class. Start from Stewart! becoming a pilot What is in the bag? Begin preparing your drone. Start thinking about batteries. Start monitoring your flight. How is your memory? Keeping up to date is what Starts Keeping up to date is what Starts Keeping up to date is what Starts Keeping up to date is what Starts Keeping up to date is what Starts Keeping up to date is what Starts Keeping up to date is what Starts Keeping up to date is what Starts Keeping up It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Perfect planning. Start looking for good spots to fly. Start Maps is your friend. StartGoogle Earth is your best friend. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Filmmakers have flight settings. Start getting the basics sorted. Start learning with sticks. Start the simulation. StartBeginners mode starts at 8:00. StartControl settings for cinematic flight. How to not fly over an airport. Start learning from the flight recordings. How do you read a map? StartGlenshee flight school! It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Learning from the masters. Start introduction The first part of the series is called Creating Suspense. Start the first part of the second part of the story. Start Part 2 is called Creating Depth. The first part added value with motion. Part 2 of 2 adds value with motion. Understanding Light is the fourth part of the start. Composition and Storytelling are the first two parts of the start. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it There are top tips for flying. StartTop has tips to get you flying. Poor performance can be prevented by proper preparation. Start how to know everything before you arrive. Start how to know everything before you arrive. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Dealing with unexpected things. Adapt like a film maker. The best settings for cinematography. The first part of theCinematic drone settings. The second part of theCinematic drone settings. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it There are 10 drones shots to inspire you. Start10 shots to get you flying. Part 1 of 3 is over. Start10 shots to get you flying. Part 2 of 3 is here. Start10 shots to get you flying. Part 3 of 3 is over. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it The workshop is for editing. Start your 28 free drone clips! You should start your computer, editing software and creating proxies. You need to use start3 editing concepts. There are editing techniques you can use to jazz up your drones showreels. Start to music, sound effects, titles and transitions. Thank you and goodbye!
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